 Dusum Sangtong's home studio A few days ago, Ander, a music production teacher specializing in Ableton Live DAW, contacted me. I had taken some classes with him in Barcelona a few years ago. He mentioned that they were offering online training and that it was a great opportunity. Since I wanted to incorporate new sonic elements into my songs and stay up-to-date with new recording technologies, I signed up, and I'm truly enjoying and benefiting from it. I feel very grateful and eager to apply everything I've learned in my home studio and share the results with you in the form of new musical pieces featuring mantras and prayers from Tibetan Buddhism. You'll be able to hear them soon in the music I'll be releasing! I hope these new songs will be beneficial, inspiring, and useful for relaxation, calming the mind, opening the heart, and expanding consciousness ✨🎵
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 Hello! I am happy to announce that I am preparing new music - offerings with the Green Tara mantra Om Tare Tuttare Ture Soha in the recording studio at home... very well accompanied, as you can see. I was thinking about how grateful I feel to have this precious opportunity to express myself through music, and also thanks to the encouragement that Lama Drubgyu always gave me to start recording and publishing music with the mantras and prayers, and to free myself from fears and limitations. when it comes to adding music to them and singing them in different ways. And of course also thanks to Lama Phuntsok, Lama Kelsang, Lama Orgyen, Sonam-la and all the other teachers and companions on the path. It was just a joke between Lama Phuntsok and Lama Drubgyu about what my name was (Joan Antón, Jantón, San Tóng) that Lama Drubgyu told me to use this name for the project, and so I did (Sangtong). Recording at home studio new music with #tara #mantra #omtaretuttareturesoha Feeling #grateful edit.    When I put my fingers on the keyboard and chant a mantra or a prayer, I look for "something" in the form of music to surround the voice, but without knowing what "will come". I'm looking at it, I'm finding it as I go along, trying it out, playing, observing what happens, feelings, atmospheres, trying it out. Then maybe something else "comes" to my head and I add it. Actually, the composing process is never finished. Until I say: enough! I record it!
Before recording, I try to evoke the same mental scene: reproduce what occurred to me, to reflect it on the recording. But I can't reproduce it exactly anymore. It's gone... |
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